The discussion on dragon composition from various artists should give you plenty to think about in making your own designs convincing. Even so, the common characteristics must have stirred the imaginations. Looking objectively with the information presented, dragons are really chimeras having characteristics of various species, although unlike Aymer, I draw short of comparison to dinosaurs where, at most, the nearest to shape are the underwater variety. What makes this book useful beyond art is it’s a reference guide to dragons across the world, making it a common mythology across mankind. Anne McCaffrey’s Pern books gets a few mentions but surely would have deserved more considering these are the most significant mention of dragons in a Science Fiction reality. I did think there’s too much emphasis on Robert E Howard, Lovecraft and Tolkien but sure if that is for padding or simply because of their fantasy work. Hopefully, software manufacturers should at least keep file conversions and backward compatibility in mind. I did have a think on the latter one and suspect that some artists keep their art in the layered format and then also save as a BMP/JPG files. The worse is keeping up with technology and ensuring earlier art pieces can still be read by latter technology. The best is not having any drying time to worry about, which applies to oils more than acrylics. Towards the end of the book several artists discuss the good and bad points of digital art.
Even so, there is a similar technique to all of them and something to learn from them, if only to know what dodge and burn do to lighten or darken a colour. It would have made more sense to see other software used or even traditional oils and acrylics. I was surprised by how many of the artists demonstrating their picture development was using Photoshop and only one using Painter. Presumably, that might be down to copyright and cost but you would think this could have been resolved. The same also applies to the various films referenced. Several pages discussing Frank Frazetta but nary any of this artwork. Like the other big artbooks from Flame Tree, you also get artists showing how they made some of their paintings but alas one of the other problems. There are also samples from 52 artists, with references to some of the books they’ve done and their websites which will ensure some of you will see what else they’ve done. Don’t be rude about the dragons in the orient as they are seen as benevolent.
After an introduction by artist John Howe, Graeme Aymer gives a history of dragons, significantly pointing out that different cultures see them as good or bad. Just what you need for a book on dragon art called ‘Dragon Art’ is a really big oblong book.
0 kommentar(er)
